Showing posts with label charlie chaplin. Show all posts
Showing posts with label charlie chaplin. Show all posts

Tuesday, October 12, 2010

Charlie Chaplin- A King In New York



This French single is all I've been able to find from the original score.
Great music from a vastly under-appreciated movie.

http://www.mediafire.com/?ues3g25vay2wg9g

Tuesday, September 28, 2010

Charlie Chaplin- The Chaplin Revue



Anytime I can find original music from any Chaplin film I'll buy it right up, if possible. If you've heard any of the re-recordings you may know what I mean. They all seem to slow everything down and focus solely on the sentimentality, unfortunately forgetting that the music was also providing mood and pacing for comedy. Without that pacing, the re-recordings seem to lose the sincerity, humor, and also the tenderness of the originals. Chaplin's use of more dignified music for his slapstick was apparently revolutionary enough that even today people still don't understand it. There's really no use in changing his work, anyone who thinks they can top, let alone equal it, will find themselves sadly mistaken.
The Chaplin Revue was released in 1959 and consisted of three of his films for First National, made between 1918 and 1922, slightly edited, with spoken introductions over scenes from his then unreleased, "How To Make Movies," a short film tour of his studio (in the same time-frame as these films) showing he and his crew goofing off and at work, rejected as a release to satisfy his final contract before becoming completely independent, and then (1959) composed an original score for each.
The Chaplin Revue was compiled several years into his exile and after his fantastic, under-appreciated mockery of the USA, "A King In New York," (1957) which was not shown in the USA until at least 15 years later. Was the Chaplin Revue an attempt to regain the audience he had lost over the years? Maybe, but if so, does it really matter? These films are as funny now as they've ever been...and will continue to be. Few artists of any medium are as timeless or universal as silent Chaplin.
On to the record: the track-listing on the jacket does not correspond to the record. Example: for "A Dog's Life," there are 17 tracks listed on the jacket, 7 on the record, and the LP label only says, "A Dog's Life."
Here are the tracks according to the jacket:

A Dog's Life- Main Title: A Dog's Life, A Dog's Life Theme, Labour Exchange, Dog Chase, A Dog's Life Theme, Green Lantern Rag, Coffee and Cakes, Flat Feet, the Shimmy, Song Triste, Green Lantern Snag, Procession Rag, Coffee and Cakes, Robbers, Dog Digging, A Dog's Life Theme, Green Lantern Snag

Shoulder Arms- Main Title: Shoulder Arms, Sauerkraut March, Shell Happy, Changing Guard, The Post, Sauerkraut March, Shell Happy, Over The Top, Blues, Over The Top, Peace, Tree Camouflage, Suspense, Mysterioso March, The Enemy, Agitado, D Minor Waltz, Inner March, Bringing Home the Bacon

The Pilgrim- Bound for Texas, Jitters, Hope and Faith, The Deacon Presents, Bound for Texas-Vocal Sung by Matt Munro

http://www.mediafire.com/?2w07rv06diclzmw

Tuesday, August 3, 2010

Charlie Chaplin- Modern Times




I'm one of those people who believe that Charlie Chaplin was a true genius in every aspect of his work...performance, direction, writing, composing, etc. The words "pure" and "universal" are used so often to describe his work that if you are unfamiliar with it, such praise may be hard to take seriously. If you're looking at this I assume you're already a Chaplin fan and know just how great it all really is along with how much of a true artist a poor little clown can be...but if not, go see all of his feature films, as many shorts as you can, read his autobiography and listen to his music...
The first side is predominately pieces to demonstrate the inhuman (mechanical) nature of factory work, a more playful version of the vision in "Metropolis" with all the workers being sacrificed to the machine. Not surprisingly this movie accelerated what would eventually lead to Chaplin being labeled, and scrutinized, as a Communist by the U.S. government and his eventual exile.
Enough of that...this music is great, this movie is great, as are all of Chaplin's movies and music.
Oddly, his "Nonsense Song" (the first time he'd ever spoken in one of his films, 9 years after the advent of Talkies) is not included...it is best to see him performing it, though...along with everything else he ever did.

http://www.mediafire.com/?8aznorm4pc8maoy